Specialist in Music
Ken Beck is a native of Washington, DC. He studied composition and piano with Robert Dumm, continuing these studies with Wilfred Churchill, John Adams, and Joel Kabakov at the Boston Conservatory of Music. He graduated in 1977. While in Boston, Beck discovered the art of dance. Following his graduation, he served as music director of the Westport Ballet in Kansas City, creating several scores for the company before returning to his hometown for a period of freelance work. In DC, Beck accompanied for Eric Hampton, the Academy Division of the Maryland Youth Ballet, George Mason University, George Washington University, Dance Place, and the Washington Ballet. He also accompanied the annual Cecchetti Council Northeast Conference. He joined the staff of the University of Illinois at Urbana-Champaign in 1998 and serves as a specialist in music for Dance at Illinois.
Jason Finkelman's artistic concerns focus on improvised music, cross-cultural collaborative projects, and composition for dance, theatre, and film. A Philadelphia-born percussionist, Finkelman specializes in the berimbau, an Afro-Brazilian musical bow, and performs on African and Brazilian instruments, many handcrafted by Adimu Kuumba. Finkelman currently combines laptop electronics and acoustic percussion in a duo with Ben Wheeler, blending ambient and noise with music traditions of the world, and with IO Mining Corp, an improvising ensemble featuring four generations of musicians bridging diverse musical backgrounds. He is a founding member of the New York-based ambient, avant world trio Straylight featuring Charles Cohen and Geoff Gersh. Finkelman's extensive work with choreographer Cynthia Oliver includes BOOM! (2014-15), Rigidigidim de Bamba de: Ruptured Calypso (2009-10), the dance film AfroSocialiteLifeDiva (2004), and the New York Dance and Performance ("Bessie") Award-winning works SHEMAD (2000) and Death's Door (1996). In 2012, Finkelman was appointed director of Global Arts Performance Initiatives, an outreach program of Krannert Center for the Performing Arts, and has enjoyed accompanying for dance at the University of Illinois at Urbana-Champaign since 2000.
Cody Jensen specializes in tonal percussion and drum set. He began playing music for dancers in the Mande tradition of West Africa. After studying djembe and dunduns with master drummer Bolokada Conde for several years, Conde asked him to perform on and produce an album of traditional music on location in Guinea. While there, Jensen took advantage of the opportunity to study balafon with Khaly Camara. Additionally, Jensen studied Balinese traditional music and dance accompaniment with I Ketut Gede Asnawa at the University of Illinois and with I Nyoman Astita in Denpasar, Bali. Currently, he tours with Bones Jugs N Harmony, playing traps, steel drum, xylophone, and rhythm bones.
Charlie Maybee began studying vocal music at a young age, guitar in his teenage years, and is a self-taught percussionist who specializes in drum set. In 2010, he started accompanying dance classes while obtaining his BFA in Dance and Choreography at Virginia Commonwealth University under the tutelage of John Robert Kinter and Bentley Cobb Jr. Since graduating 2014, he’s moved to Urbana-Champaign where he currently accompanies dance classes at the University of Illinois, Department of Dance.